Leonie Sherif’s latest track, NGMB (Never Get Me Back), released on October 25, is a testament to her evolution as an artist, capturing the raw emotions of heartbreak and self-empowerment with unparalleled grace. The East London/Essex-based singer-songwriter, whose soulful fusion of alternative and commercial electro RnB has already turned heads, delves deeper into her journey in this captivating new single. It’s not just a song; it’s a sonic experience that heals, inspires, and resonates with those of us feeling the sting of betrayal.

From the top, NGMB creates an ethereal atmosphere, a heavenly soundscape that gently unfolds as if inviting us into Sherif’s intimate world. The track opens with a soft, almost lullaby-like progression—delicate and soothing, a gentle breath that lures you in. Then, as it progresses, afrobeat-inspired percussion slowly begins to pulse, bringing an infectious rhythm to perfectly complement the track’s emotional depth. The blend of pop and afrobeat elements gives it an undeniable groove, and yet Sherif’s soft vocals remain the centerpiece, like a soft caress that both comforts and empowers.

Her vocal performance is truly mesmerizing. There’s an undeniable sensuality in her delivery; every note is a whisper of vulnerability, every word laced with unspoken pain and resilience. Lines like “Don’t call me. In the middle of the night. It’s stormy. And I don’t really wanna fight” set the tone right from the start. These opening lyrics evoke an image of sleepless nights filled with emotional turmoil, yet Sherif’s smooth tone brings a sense of calm within the chaos. It’s a delicate balance of strength and softness that lingers.

“NGMB’s” lyrics are, at their core, a reflection of emotional resilience. Leonie Sherif paints a clear picture of the end of a relationship, the pain of betrayal, and the moment of realization that it’s time to let go. “You were never into it. All body and never your mind. I already knew it. But you front like everything’s fine.” These words, tinged with frustration, are matched by Sherif’s unwavering delivery, and I couldn’t help but feel the catharsis in every syllable.

As the chorus hits—“Never get me back in your life / Not even for just one night / Baby, you better bet that on your life”— there’s a noticeable sense of closure, a powerful declaration that this chapter is over, and the self-respect has been regained. It’s a triumphant moment, one that leaves you feeling empowered as a listener.

The production of NGMB is brilliant, as Sherif herself took the reins in both writing and producing. The blend of shimmering synths, subtle percussion, and basslines creates a lush, textured sound that allows the emotional weight of the lyrics to shine through without overpowering it. It’s a masterful mix that speaks to Sherif’s artistry—not just as a vocalist, but as a producer who knows how to build an atmosphere that supports her message. Do not forget, she had the expertise of artist/ producer Sp Deville on the Mixing & Mastering and he did fantastic!

Overall, NGMB is not just a breakup anthem; it’s an intimate, vulnerable exploration of heartbreak, healing, and empowerment. The beautiful fusion of afrobeat rhythms with pop sensibilities creates a unique, refreshing, and deeply moving soundscape. The production, the lyrics, and Leonie Sherif’s soulful performance come together in perfect harmony, leaving an indelible mark on anyone who listens.

If you haven’t yet discovered Leonie Sherif’s music, this is the perfect moment to dive in. Previously featured on this platform for her evocative tracks “Esoteric” and “Venus,” Sherif’s artistry continues to evolve, and ‘NGMB’ is a testament to her growth as an artist and as a storyteller. This song is not just about heartbreak; it’s about reclaiming one’s power, and I can’t recommend it enough. ‘NGMB’ is a song you’ll want to play on repeat; it’s that beautiful, that powerful, and that real.

Listen to “NGMB” by Leonie Sherif on Spotify and watch the video with the above link.

You can follow Leonie Sherif here for more information.

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