Karen Salicath Jamali, an artist whose name is identical to profound emotional depth and celestial inspiration, has once again mesmerized us with her latest release, “Dreams of Angels.” In this 16-track instrumental piano album, Karen unveils a raw and ethereal musical experience like no other. Unlike many classical or new-age compositions, Dreams of Angels is an invitation to enter a world that vibrates with divine energies, guided by the resonance of her 80-year-old Steinway grand piano. “Dreams of Angels” was released on November 22 and allows us to feel as though we are stepping into Kalicath’s sacred space, witnessing her intimate communion with the celestial realm.
From the moment the opening notes of “Archangel Metatron (The Angel of Life)” fill the air, we are transported to a space where time feels suspended, and the presence of Metatron—the Angel of Life—watches over every key she strikes. This first track sets the tone for the journey ahead: simple, unrefined, yet deeply spiritual. It’s a testament to Karen’s mastery of piano technique. The performance is not polished or processed—each note feels instinctive as if pulled directly from the ether, untouched by human intervention. The single-take recordings with just a Roland recorder and Neumann microphone capture the very essence of her artistry, preserving the purity and intuition of her connection to the angelic world.
As the album unfolds, each track reflects the unique energy of a different angel, guiding us through varying emotional landscapes. The delicate textures of “Angel Gabriel (The Angel of Water)” evoke a sense of fluidity and calm, as Karen’s fingers dance across the keys with a gentle grace that mirrors the flowing nature of water. It’s as though every note is a drop, falling softly into a vast, serene ocean. The production here, like in the rest of the album, is intentionally minimalistic, drawing our attention to the emotion behind every stroke of the piano.
In “Angel Gabriel’s Heart,” Karen delves into the angel’s nurturing and protective qualities. The music takes on a more contemplative, almost heartbreaking tone. Her playing here feels tender, as if each note carries a piece of her own heart, offering comfort to those of us listening. This raw expression of vulnerability makes the track deeply moving. With only the natural acoustics of her grand piano filling the space, every sound feels expansive, like it is being whispered directly into the soul.
The dynamic “Angel Jophiel (The Angel of Illumination)” is a bright, uplifting piece that channels the energy of enlightenment. Here, Karen’s fingers glide effortlessly over the keys, letting the lightness of Jophiel’s spirit shine through. The track feels like the dawn of a new day, with sunlight breaking through the clouds, and Karen’s delivery conveys a sense of inner peace and awakening.
“Angel Uriel (The Angel of Truth)” offers a similarly bright sound but with more weight and gravitas, drawing us into a space of inner honesty and spiritual clarity. This piece alternates between assertive, declarative chords and lighter, questioning motifs, showcasing Salicath’s ability to weave complexity into simplicity.
As the angel of music, “Angel Israfil (The Angle of Music)” inspires a composition rich in melody and harmony. Salicath’s fingers dance across the keys with playful exuberance, crafting a piece that feels like a hymn to creativity and joy.
“Angel Raphael (The Angel of Healing),” the track that introduced this beautiful album to the world, remains a highlight, showcasing Karen’s deep understanding of the angel’s transformative and restorative power. The song ebbs and flows, with each phrase feeling like a balm for the soul. Her performance on the piano in this track feels like an unspoken prayer, offering healing in its truest form. The sparse production creates a sense of intimacy, as if we are present as listeners in the room with her, feeling every breath, every pause, and every release.
A reprise of Jophiel’s theme, “Angel Jophiel (The Angel of Beauty),” explores the angel’s connection to beauty with an elegant and delicate composition. Each phrase is a brushstroke, painting an auditory masterpiece that celebrates the sublime.
Moving on, “Angel Gabriel’s Halo,” is an evocative, gentle, and reverent track, much like the glow of a halo itself. The light touch of Salicath’s performance brings an ethereal quality to the composition, wrapping you in a sense of divine grace.
“Angel Chamuel” offers a serene respite, with soft, rolling chords that feel like a lullaby for the soul. Salicath’s restraint and sensitivity shine, crafting a piece that is meditative and restorative.
Going forward, we encounter “Angel Michael (The Angel of Courage),” a powerful, almost defiant piece that pulses with energy and strength. Karen’s performance here is bold and unyielding, with strong, decisive chords echoing the determination and bravery of Michael, the warrior angel. The track’s simplicity allows for a striking portrayal of courage through raw, unembellished sound.
In contrast, “Angel Sandalphon” is a whisper of tenderness. The delicate interplay between the treble and bass registers mirrors the gentle, nurturing qualities of this angel.
“Angel Raziel” is a revelation in itself, with crystalline melodies that cut through the fog of uncertainty. Salicath’s phrasing is deliberate and precise, embodying Raziel’s gift of divine insight.
“White Angel” stands as a masterpiece, deeply personal to Karen, as it honors her sculpture created to remember lost loved ones. It’s no surprise that the piece has already garnered awards. The song’s melancholic beauty shines through with every subtle shift in tone, and the sound of the piano rings clear and pure, like the chimes of a distant bell. The purity of the composition mirrors the peace Karen seeks to convey through it.
“Angel Ariel (The Angel of Nature)” takes us into the natural world, where the piano mimics the sounds of wind rustling through trees, birds soaring overhead, and the distant hum of life. It’s a meditative piece, letting the listener imagine themselves in the quiet of a forest, breathing in the fresh air of nature’s embrace.
Karen Salicath’s work on Dreams of Angels transcends mere performance—it is an emotional and spiritual experience. Each note she plays is a manifestation of divine energy, carefully channeled through her gifted hands. As the album closes with “Angel Jeramiel (The Angel of Dreams),” Karen leaves us with a sense of peace, gently guiding us back from the celestial realm to the earthly plane. It’s a fitting conclusion to an album that has taken us on a journey through courage, healing, truth, beauty, and nature, all bound together by the universal presence of angels.
Throughout the album, the production remains beautifully stripped back, allowing Karen’s musical intuition to shine through. There’s no overproduction, no layering of unnecessary sounds—just the sound of the piano, recorded with integrity. The choice to record each piece in a single take only deepens the authenticity of Dreams of Angels, allowing Karen to capture the unfiltered, spontaneous energy of each composition.
In Dreams of Angels, Karen Salicath Jamali invites us to not only listen but feel—feel the presence of the angels, feel the messages they bring, and, most of all, feel the raw, unfiltered connection she has captured so beautifully. If there’s ever been an album that encourages deep reflection and emotional release, this is it. This is a spiritual awakening, one note at a time.
Listen to the “Dreams of Angels” album on Spotify
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