Review Of Matt DeAngelis’ “Real Future”
Matt DeAngelis is a Turnersville, New Jersey-based indie singer-songwriter. Matt DeAngelis, who has been working with Billy Kennedy for...
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Review Of Flatfoot Sam’s “BoatHouse”
Flatfoot Sam, a UK DJ, and producer influenced by The Prodigy, Massive Attack, Leftfield, and Kosheen, released their latest...
Review Of Onbar’s “Good”
Troy is the United States-based musician known as Onbar, and he has a seductive voice texture that distinguishes his...
Review Of Lethia’s Natorium’s “Here We Go”
Lethia’s Natorium, influenced by Siouxsie and the Banshees, Toyah, Blondie, No Doubt, Skunk Anansie, and The Smiths, is a...
Review Of EhRah’s “Galaxy”
EhRah, a Canadian producer, is a music production prodigy. After a four-year hiatus, he returns this year with his...
Review Of DeEtta Jain’s “Leaning”
DeEtta Jain, a unique composer, and vocalist who collaborates with a wide range of musicians and producers have released a new track...
REVIEW OF PERTTU LEINONEN’S ALBUM, “HIDDEN PATH”
Perttu Leinonen is a Finnish composer who investigates many facets of musicality. On July 18, 2022, Perttu launched an album...
Review Of DJ Khaled’s “GOD DID”
DJ Khaled takes advantage of his star-studded address book to deliver one of the more focused projects in his...
Review Of Rob Eberle’s “doubtful”
Since exploding on the market with his last EP “WHERE’S MY MIND?” and fresh off performances in New York...
Review Of Oliver Birch’s “Burning Daylight” Album
Oliver Birch is a composer, songwriter, and producer living in Auckland. He has published his debut album “Burning Daylight,”...