There’s a wild, untamed spirit coursing through The Afro Nick’s music—an unrelenting pursuit of freedom, a refusal to conform, a rock ‘n’ roll heartbeat pulsing against the grain of expectation. Rooted in the soulful streets of Crete, where gypsies strummed their guitars for loose change, and now electrified by the endless possibilities of Los Angeles, The Afro Nick crafts music that speaks to those who don’t fit within the confines of the ordinary. His release, “Get There Before Noon (LA Mix),” captures this essence with gripping urgency, fusing indie rock grit with a restless yearning to seize the moment before it slips away.
The track begins with an atmospheric crash, the sound of something waking—like an alarm to the restless souls who refuse to sleepwalk through life. Electronic keys linger in the background, painting a hazy dawn before the guitars chime in, their tones sharp yet warm, foreshadowing an anthemic rush. The bass hums beneath, steady yet unshaken, setting the foundation as the drums hit with a pulse that feels both instinctive and calculated.
Then, The Afro Nick’s voice enters the scene. It’s raw, brimming with conviction, yet carries a familiar ease—like the voice of a wanderer who has seen it all but still believes there’s more to chase. There’s a breathless quality to his delivery, like he’s racing against time, like he must get this message across before it’s too late.
The Afro Nick doesn’t just sing—he declares. His voice, textured with just the right amount of grit, drives home the song’s theme: Live now, because tomorrow isn’t promised. His delivery is urgent but never rushed, soaked in emotion but never excessive. Each verse builds with an unrelenting push, the chorus bursting open like a cathartic release.
The interplay between the instruments is seamless. The guitar riffs are bold and unshackled, sometimes teetering on the edge of chaos but always pulled back into harmony. The bass, courtesy of George Athanas, keeps the song grounded, while Leonardo Genovese’s synth work adds an unexpected ethereal element—like light breaking through the cracks of a storm. The production is tight, clean where it needs to be but never sacrificing the song’s rugged, live-performance energy.
Visually, the “Get There Before Noon” music video is as evocative as the track itself. Two women, clad in mystery, chain The Afro Nick—symbolizing perhaps the forces that try to confine an artist, a dreamer, a rebel. But even in chains, his spirit remains unbroken. We see him playing his guitar, performing with that unmistakable passion, as if to say that no matter the obstacles, music will always be his means of escape. The contrast between entrapment and performance speaks volumes about the artistic struggle—the constant battle between staying true to oneself and the weight of external expectations.
Overall, “Get There Before Noon (LA Mix)” is an anthem for the restless, the wanderers, the ones who refuse to sit still while life rushes past. The Afro Nick delivers a track that doesn’t just speak to the soul—it shakes it awake. If you’ve ever felt like time is slipping through your fingers, if you’ve ever craved the freedom to just be, then this is your song. Turn it up. Run with it. Get there before it’s too late.
Listen to “Get There Before Noon (LA Mix)” on Spotify or SoundCloud
Follow The Afro Nick here for more information
